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I think the choice depends on the work one days. With an appropriate adaptor, the FX30 can share the same EF lines. (.68 kg).Īt these prices, one could buy both the FX30 and BMPCC. The smaller BMPCC 4K is very similar in size at 7 W x 3.8 H x 3.4 D inches (17.78 x 9.65 x 8.64 cm), and weighs 1.5 lbs. The Blackmagic Pocket Cinema Camera 6K G2 is nice and compact at 7.08 W x 4.84 H x 4.41 D inches (17.98 x 12.29 x 11.2 cm) but weighs 2.65 pounds (1.2 kg) without a lens or accessories.

Like its older sibling, there is no internal stabilization, but it does have the gyro feature. You also have a nice selection of both video and audio ports.įinally, the BMPCC 4K features a smaller Micro 4/3 image sensor at 4096 x 2160 DCI 4K resolution, 13-stops of dynamic range, an MFT lens mount, and the same internal BRAW and ProRes recording options.

There is no in-body image stabilization that can match the FX30, but there is a gyro that has been unlocked in all three BMPCC units, which can do a good job stabilizing your footage in post. It has 13 stops of dynamic range and can record in the coveted BRAW internally, along with ProRes. Meanwhile, the Blackmagic Design Pocket Cinema Camera 6K G2 has a similarly sized Super 35 sensor with a 6144 x 3456 resolution and an EF lens mount. It can film in 14+ stops of dynamic range when filming in SLOG3 and even outputs a 16-bit RAW signal to an external Atomos recorder. Additionally, the FX30 features a fantastic 5-axis in-body image stabilization (IBIS) for smooth handheld shooting and an optional top handle that expands your audio options. This is oversampled to deliver a solid 4K in 4:2:2 10-bit XAVC. The Sony FX30 features a brand new 6K back-illuminated APS-C Exmor R CMOS sensor at 26.1 megapixels (20.1MP are usable) and Sony's E-mount.

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While the BMPCC 6K Pro has additional features that would tick some extra boxes, it costs $2,535, so we won't include that in our comparison. We’re going to look at the Sony FX30 with the BMPCC 6K G2 and 4K, as they are similar in size, features, and price. Plus, they have a history of game-changing cameras, including the F900 CineAlta that George Lucas chose to film Star Wars: Attack of the Clones on way back in 2000.

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On the other hand, Sony has been a leader in HD and UHD cinema cameras for decades, with the nearly identical FX3 and popular A7 series of cameras, all the way up to Sony VENICE. On the one hand, you have several years of development and successful use of the Blackmagic Pocket Cinema Cameras. If you’re a creative who is looking for an extremely affordable cinema camera option, it could be tough to decide between Sony’s FX30 and the BMPCC 6K G2 (or Pocket 4K). Since then, Blackmagic has introduced several other camera options, including the URSA Mini Pro 12K, URSA Mini Pro 4.6K G2, and the more compact Pocket Cinema Camera 6K G2, 4K, and 6K Pro. While the camera eventually became a hit with filmmakers, the weird form factor and MFT sensor had their detractors. When Blackmagic introduced the original Cinema Camera at NAB 2012, the surprise announcement was met with fanfare, love, and hate. You may be wondering if the FX30 is right for you, or would the BMPCC 6K G2 or even the 4K be the better option? We take a look to help you make the right decision. That is, until Sony released the FX30 with IBIS and industry-leading autofocus, making it a great alternative to the robust Blackmagic Pocket Cinema Camera 6K G2 and even the legendary (at least for us) BMPCC 4K.

No other brand has been able to consistently offer production-ready features for such an affordable price. Sony is targeting the affordable cinema camera market with its new FX30, but is it a good choice for filmmakers considering the Blackmagic Pocket Cinema Cameras?īlackmagic Design cameras have always dominated the affordable cinema camera space.

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